#10) Barry, by Bill Hader and Alec Berg (2018- )
Barry Berkman (Bill Hader) is a skilled marksman, an in demand hitman managed by the dimwitted master manipulator, Monroe Fuches (Stephen Root). Barry seems to be growing restless with the criminal life, but cannot get himself out from the grip of Fuches’ lucrative underground business. On his latest job in Los Angeles, he gets assigned a hit that thrusts him into the acting school of Gene Cosineau (Henry Winkler), discovering an underlying passion he never knew he had for theatre, or at least a possible ticket out of his violent past. The question all throughout: is he in it too deep to ever get out? Will his past haunt him forever? I stumbled into Barry blindly during a screenwriting competition as I frantically searched for a show I could write a spec for. I liked the simplicity of the title and gave it a shot, knowing nothing about it. I couldn’t believe how gripped I was. Furthermore, the latitude of the show’s range between comedy and drama, fantastical and practical, w...